A steady, modernistic beat accompanies the rather old-fashion tunes, but it fits. Kattilukku Mattumthaan starts off with weird ghost-music, and Ilaiyaraja's mournful voice, spelling out the woes of women penned by Muthulingam. Finally, a touch of vintage Ilayaraja, and one that's sure to make the top ten lists. Sriram Parthasarathy joins in much later, after a rather neat veena interlude the female and male leads begin a concerted effort at spinning a kalpanaswara segment that is really beautiful to hear. It's a softer, slower number, with a steady, lilting beat and considerable importance to the female lead. The latter half reminds you of the refrain of Akaya Vennilavae from Arangetra Velai along with snatches of Nadodi Thendral - but no matter, this one is a melodious number, even if it's oft-heard, and Raja's comfort-levels show.īhavadharini's rather tinny voice starts Kannanukku Enna Vendum, written by Vishali Kannadasan and which is accompanied by the veena and flutes. Bilshande's soft voice and Sriram Parthasarathy's mellow one fit the general tone correctly. Unakkulle Irukkinraen is a return to Raja's favourite tune, a melody that suits romance to a T, and Mu Metha's lyrics make sure that the spice is intact. The harmonica makes a surprising and rather pleasant addition, before conceding its place to the singers. Obviously meant to titillate, the song shifts from yearning to romantic sighs. Pazhanibarathy's number Koothu Onnu Koothu Onnu begins with sibilant whispers between Ilayaraja and Feji, that remind you somehow of Ilangathu Veesuthe from Pithamagan, and then, thankfully, shifts to 80s music again. It's a number with tunes you've heard before, but is likely to become a favourite kuthu pattu - depending on the movie's success, of course. The maestro is on familiar ground here very few can beat his ease with rural tracks, especially with the enthusiastic percussion. Slap-bang rural beats kick-start the song Dhanam, Dhanam, as Karthik and his crew begin a rousing number penned by Vaali, that sings the praises (good or bad?) of Dhanam, the protagonist. The composer has put in considerable effort to veer away from the conventions. This number too is peppered with blasting rhythms that change track before the interlude. Sunitha Sarathy's strong voice begins rather in opera fashion, belting out Vaali's lyrics in I-don't-care style in the following number, Ulagam Kidakkuthu. Presumably, it's a song that describes the hero's first brush with love. Heavy beats, a la 80s disco-esque music thunders assaults your eardrums though the nostalgic feel remains throughout. A violin interlude flows along in notes that you haven't heard for a long time, which makes for an interesting hearing. Ilamaik Kanavugal begins with Rita's melodious humming followed by a fast paced rendering by Karthik. Maestro Ilayaraja has taken up the gauntlet.
Nadodi thendral songs lyrics movie#
SNS Movies' Dhanam, directed by Siva and starring Sangeetha, an actress ever-willing to experiment seeks a peek into the life of a woman who doesn't confirm to society's rules.Īs such, this Tamil movie demands the hand of a composer who can come up with music that ought to be sensitive, yet catering to the demands of commercial music.
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